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Read echapbooks here...
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FICTIONOur Place Hadari's multi-layered stories constitute a novella within Hadari's novel-in-progress, When We Were Saved. They are complex and beautiful, funny and disturbing, narrated in a distinctive voice with a subtext of survival and loss, removal and annihilation. The narrator is Natan, who recollects his life in a 1930s' kibbutz and the people whose paths crossed his. Mahmoud, Anschel and Sarah are as unforgettable as Natan himself and the place he has come to love. |
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MEMOIRThe Old Fever by Rick Gray Excerpts from a 1980s’ Peace Corps memoir: It is really about Kenya's spell — the fever of the place that gets into the blood and never leaves, making a return to everything that came before impossible. Includes hyperlinks to photos, videos and background articles to enhance and deepen the reading. |
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FICTION & POETRY anthologyFound. Seven stories and seven poems (September 2012): |
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PoetryA City Full of Eyes “James Cihlar’s poems reflect on the modern mythology of film and its intersection with the lives of those who go about their ordinary existence. Cihlar has a versatility with a range of forms and a confident voice that shifts deftly from his mother's divorce to Carl Jung and back to film divas.
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DOUBLE FICTION ISSUECalifornia Dreaming (March 2012). Excerpts from two novels by Patrick Fanning and Jerry Ratch. Each presents a different historical take on California as an island of possibilities. (Our double fiction cover is an antique map of the Pacific and North America, circa 1715 (when California was thought to be an island). The Venice of the West by Patrick Fanning offers an alternate history of a 19th century California where the (Mexican) Republic of Alta California prevails from south of the Russian River in Sonoma County and a (Russian) Rossland streteches from Alaska to Fort Ross (the Tsar's summer palace on the coast) and east to Sakrametska (Sacramento). Fanning's narrative switches between dispatches from journalist/novelist Mark Twain and his traveling companion, American impressionist painter, John Singer Sargent, who has come to California to launch a career as a portrait artist and possibly explore his own unspoken sexual preferences. The excerpt includes sketches and watercolors by Fanning, who like his protagonists, is both novelist and artist. It includes a timeline of alternate history versus actual history. Jerry Ratch's How the 60s Ended follows a van load of merry prankster poets on a road trip from the mid-west to the mad-west of California and the San Francisco poetry scene. It's funny, sharply written with the ear and eye of a poet and captures the charm of the 60s and early 70s, along with some of its excesses and blind spots. It includes Ratch's own poetry from the time. It also makes a fascinating extension to our recent memoir issue, Beverly Jackson's Loose Fish Chronicles (see below). |
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MEMOIRThe Loose Fish Chronicles: Excerpt from a Memoir in Stories Jackson's memoir gives us early 1960's Greenwich Village from a young woman's perspective. The stories are starkly honest and the language glows in their examination of a young woman starting adult life in the New York neighborhood famed for worshipping the arts and rejecting conformity. Greenwich Village became the epicenter for the enormous cultural shift we now refer to as the "Sixties," yet, even there, attractive young women were still expected to hide their own intelligence and talent. These stories are a wonderful read on their own. But we are also, for the first time, honoring the "E" in echapbook. Hyperlinks to photos, videos, background articles, and Beverly's poetry and artwork add a kind of immediacy that only web-based publication can provide. |
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FICTION anthologyLoss. Ten stories by eight authors (September 2011): |
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PoetryThe Wayward Orchard Paul Sohar's language is fresh and surprising, but never jarring, as if we were hearing these words for the first time. You may find yourself reading the poems aloud. Like the fire trail in "The Wayward Orchard," they will take you to unexpected places. |
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FICTIONGrace The seven luminous stories collected in Grace range from lightly comic to darkly complex. The voices are diverse — hopeful, angry, uncertain, amused, despairing — even where loss is profound, there are grace notes. |
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MEMOIRThe Bus Driver's Book of the Dead The Bus Driver’s Book of the Dead evokes Chicago in the ‘80s, where Jesse Millner drove a charter bus by day and by night drank to erase the failure of his life. His memoir is despairing and redemptive, gritty and lyrical, serious and sardonically funny.
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FICTIONTrouble. Selected Stories
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PoetryTranslation of Light A collection of new and selected early poems exploring the ground of memory, vision and the illuminations of everyday life.
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FICTIONAround the Bend. Selected Stories Laura Beausoleil's stories are a lyrical and edgy melding of memoir and fiction.
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MEMOIRScenes From My Life on Hemlock Street. A Brooklyn Memoir Coming-of-age stories that portray the vibrant and diverse life on one street in Brooklyn over fifty years ago. Selected from a book in progress.
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PoetryI Am a Fact Not a Fiction. Selected poems by Edward Mycue (September 2009)
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FICTION ANTHOLOGYOld Cars. Fiction anthology from the no-name writers' convivium (September 2008): Wray Cotterill • Judith Day • Richard Gustafson • Chance Lucky • Orianna Pratt • Jo-Anne Rosen • Linda Saldaña • Susan Starbird Eight authors, exploring the mysterious allure of cars, write about infidelity, senility, family bonds, friendship, tough times, troubled marriages and more. |
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